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Pink Floyd - The Dark Side Of The Moon 2011 Immersion edition Written by Matt Sunday, 30 October 2011 When the Why Pink Floyd remaster and collectors edition release schedule was announced, and the contents of the sets revealed, fans across the world were rightly stunned by the sudden change of heart over what they were to be treated to, with the vaults being opened up for the first time so that the fans could hear lost gems. The scale of the releases took everyone (very pleasantly) by surprise, and comments made by Nick Mason have furthered the general excitement by hinting at more to come. Anyway, today our attention is on The Dark Side Of The Moon. Having Discovered the single disc edition of the album, Experienced the expanded two disc set which is augmented by the band playing the album live at Wembley's Empire Pool in 1974, we were ready to Immerse ourselves in everything that this six disc, two book, three marble, one print, five collector card, one replica ticket/pass, nine coaster (and one scarf) set has to offer! From that little run-down you'll realise that this is not your normal, run-of-the-mill collection, and therefore to continue our reviews from this release programme, we've taken a detailed look at the contents over the last few weeks (it takes a while to fully appreciate everything on offer!), including a track-by-track analysis of one of the many highlights of the set, the 1972 Early Mix of the album. Let's start by running through the contents, disc by disc. The first CD contains the album, remastered sensitively in 2011 by James Guthrie.
We review this in our look at the Discovery Editions and Box Set. The new edition features a little polish here and there, but no major differences to that heard in 2003 for the 30th anniversary release.
But let's face it - the set would be incomplete without the 'basic' edition! Disc two, also a CD, holds the live performance, recorded over two nights in November 1974 at the Empire Pool, Wembley. The venue, once an Olympic swimming venue (hence the name) was subsequently renamed the Wembley Arena, although the pool does still exist under the main floor. The owners aren't allowed to remove this due to the protected status of the building, although this does cause a few acoustic issues for sound engineers setting up shows there, we understand! The live recording is hugely enjoyable, and one we have found ourselves going back to often.
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Superb instrumental separation, a confident, absorbing performance, and a nice atmosphere all add up to a real pleasure. This disc is the other disc found in the Experience edition, again reviewed separately here. Disc three is the first of two non-region coded DVDs, and in this instance, is audio-only. It provides the stereo mix of the album, as per disc one, two different resolution versions of the Alan Parsons Quad mix from 1973, and two different resolution versions of the 5.1 mix created for the 2003 SACD release (useful for those who either never bought this, or for those without the necessary equipment to play SACDS - which form the majority of music lovers, as the format never made it into the 'mainstream'). All of these mixes sound great, but for even better quality, you'll need to play disc five.
Disc four is the second non-region coded DVD, and contains video material - Careful With That Axe, Eugene and Set The Controls, both filmed in Brighton, June 1972 (discussed below), the 2003 DSOTM documentary (also discussed below), and the screen films from the British and French tours of 1974, and the North American tour of 1975, synchronised to stereo and 5.1 surround audio. These screen films are fascinating and give an idea of one aspect of the mid-70s tours. It's interesting to see how they developed as the tours progressed, and also how the odd image seems to be censored or changed depending on where it was to be shown. Disc five is a non-region locked Blu-ray disc, and principally covers the same material as the DVDs which form discs three and four, above, but also offers it in higher quality (96kHz/24bit) uncompressed linear PCM high resolution audio. This gives stunning renditions of the music, irrespective of which version you pick. If you are able to play Blu-ray discs in multi-channel, we really urge you to give this disc a thorough run-through. Your ears will thank you!
The HD nature of the visual side is nicely done - the main menu screen gives various refracting prisms, and an instrumental mix of Breathe accompanies you while you make your choice from the options available. The video included on this disc is nicely presented, from the 1972 footage which displays little in the way of grain, to the 2003 DSOTM documentary. Going into a little more detail on this, the Brighton footage clearly shows its attempt to cope with available light - yes, there is a little grain but that's entirely consistant, the colours are strong, and the performances are very atmospheric. The sound has a degree of hiss and a slight lack of dynamic range, but having seen this a number of times over the years on various compilations (official and otherwise) this is clearly the best version to date. It's just a shame that either no other songs were filmed, or that if they were, the footage has never been shown in public.
Curiously, of the two tracks, Set The Controls seems in generally better quality but that's possibly due to different lighting effects on stage making life easier for the cameras. The 2003 DSOTM documentary is a fascinating 25 minute look, created for the SACD release. If you've not seen this before, it's a good examination of the album's creation, with all four band members interviewed for it. As with the DVD, the Blu-ray also contains the hidden 'easter egg' of an extra piece of audio. It's also the best way to view all of the audio/video content, if you've the equipment to play it. Finally, we get to the CD which is disc six.
For many fans, this contains some of the biggest gems of the whole set. In a moment, we'll share with you a Brain Damage contributor's track-by-track look at the Alan Parson's mix heard here for the first time, but let's look at what else you get on this disc first. Possibly the most unexpected track on this disc is The Hard Way, an outtake from the aborted Household Objects project. Sounding nothing like I was expecting (indeed - it wouldn't have sounded out of place if they'd have labelled it a demo from A Momentary Lapse Of Reason!) this proved a fascinating listen and a taste of what could have been, had their patience at this rather tortuous idea lasted longer. Following up this gem, is Richard Wright's demo of Us And Them, which is beautiful, and sad, and just performed on piano, without any vocal or other adornment.
There's also a demo of The Travel Sequence, and Roger's original demo of Money. Rounding out the early versions are live renditions of The Travel Sequence, The Mortality Sequence, and Any Colour You Like, all recorded live in Brighton, 1972, and showcase how these tracks initially sounded, before they got refined into much more what we all know now.
As a stepping stone to the final version, engineer Alan Parsons completed a much talked about early mix, which until now, has not been in the public domain.but now it is, and it forms the next section of this review, where we take a track-by-track look at how it differs.